Monday 31 December 2018

My eighth book: Raymond's Nemesis

Raymond's Nemesis is now released. Huzzah!

Cover by the superlative DrRiptide.

You can see a short blurb and read an extract from the book at my blog post here, or go straight to the book's page at Smashwords here.
Thank you to those who preordered the book, and thank you to everyone who buys and reads it.
Raymond's Nemesis was 'the strawberry Oreo book', and while I was preparing it for publication I bought a packet of strawberry Oreos and ate them, for old time's sake.

Friday 30 November 2018

The cover for Raymond's Nemesis

The cover for the sequel to Raymond is finished.

Cover by the longsuffering DrRiptide.

As you can see, DrRiptide and I designed it to be similar to the cover of Raymond, which you can see here.
My previous blog post here contains an extract from Raymond's Nemesis. The silver wolf statue on the cover comes later in the book, and once again, Raymond's special graveyard is featured in the story. Threats are made, Wilson has a moment – or two – of awesome, Raymond uses vocabulary that only he would use and comes up with a cunning plan, and we see more of Callum and George.

Raymond's Nemesis will be released on 31 December 2018 – though if you live in the Northern Hemisphere, that will be the 30th for you, and websites that are based in the Northern Hemisphere will show the release date as the 30th.
Preorders of Raymond's Nemesis are available at iBooks, Kobo, and Barnes & Noble. You can view the book's page here at Smashwords, but Smashwords does not have the capacity for preorders.

Thursday 25 October 2018

How To Be A Prince


How To Be A Prince
  • Know that you are the ruler of your life. Embrace it. You are allowed to have authority in your own life.
  • Nothing is too good for you. Stop fretting over whether or not you ‘deserve’ things: you don’t. No one does. Life isn’t about getting what we deserve, it’s about making the best of what we get. Princes don’t deserve to be princes; they just are. They’re born to it. And you were born to it. You were born to be a glorious, benevolent, gentle, brave, kind, mighty, noble, wise, honourable, self-actualised prince. Be it. If life hands you good things, enjoy them, and, if possible, share them with your friends and subjects, as a good prince should. Don’t worry about whether or not you deserve good things; instead, make sure you become worthy of them, by striving to be a good, honourable person.
  • Remember, a true prince knows that everyone is valuable, and that his friends and subjects are as precious and important as he is. No one’s life is worth more than yours; and no one’s is worth less, either.
  • Work on being a good person. How can you rule your life – your kingdom – if you can’t rule yourself? Identify your weaknesses and see what can be done to fix or control them. Remember, the greatest enemy comes from within: it is your own flaws that will do you the greatest damage. Know them, navigate them, undo them piece by piece. Don’t try to rush this process: it will last your entire life, and so it should. Don’t try to become perfect: you will fail, for you are inherently imperfect. But here is a great secret: perfection is an illusion anyway. Strive for brilliance, for excellence, for improvement – but never perfection. Chasing such a mirage will destroy you and everything you have managed to build thus far. Have high standards, but know that even you will fail your own standards sometimes.
  • Treat yourself with courtesy and love. Would you speak to others as you allow that nasty inner voice to speak to you? Would you say to someone you love the things you sometimes say to yourself? Your inner thoughts can be your greatest enemy or your greatest friend: which would you rather have living inside your head? When someone wrongs you, a wise and magnanimous prince forgives but takes care around that person in future. Likewise, forgive yourself, and acknowledge the flaw that led you to wrong yourself, taking steps to prevent it happening again.
  • Confidence is your birthright. You have as much right to be here as any other living creature on this planet. Remember your value. You have a crown within your soul even when there is no crown on your head, and anywhere you sit is a throne. 
  • Life is full of difficult decisions, particularly with regard to other people. Do your best at all times, and let that be the end of it, for you can do nothing more than your best. Try not to hurt others, but do not let them rule you: you must rule yourself. In things that do not concern others, you do not need their approval. 
  • Take care of your body. Feed it as well as you can, exercise it, clean it, give it plenty of water and sleep. Find a form of exercise that you like, and fall in love with it and, in the process, with your body. Never hurt your body on purpose, and forgive it for being what it is or for not being what you wanted it to be: it can no more help being what it is than you can help being what you are. Listen to your body's signals; they are there for a reason and that reason is to help you take care of it. A prince understands that no matter how powerful he is, he cannot change nature itself, but only work with it. Enjoy your body and what it brings you. Decorate it with clothes, perfume, creams, jewellery, tattoos, flower crowns – whatever makes you feel good in your corporeal dwelling. Move with grace, and be aware of your posture: you are a prince! Princes do not slouch!
  • Indulge. You were not put here to be miserable. Why should a prince worry about whether or not he can allow himself a slice of chocolate cake? Why should a prince feel unworthy of having flowers in his lounge? Of course a prince is entitled to a fur bedspread, a new necklace, an ice cream, a fancy pen, a fresh mango. Only the ignorant would challenge such harmless indulgence on the part of royalty.
  • A good prince should be heroic. But heroism is not the same thing as drama or violence: before you fight, be sure that you need to. Many wrongs are best addressed in another way; even if your heart thrills at the thought of battle, learn to love a peaceful solution. Negotiation is at least as important as warcraft, for greater than the greatest warrior is he who averts a war in the first place. Avoid taking revenge for slights and small wrongs: you are above such pettiness. You have a kingdom to rule – what does it matter that a stable-boy flicked a towel at you? A stable-boy's impudence is the stable-boy's problem, not yours. Know how to defend yourself and others; learn to ascertain when you should fight and when you should not; and remember that there are many ways to fight
  • You will make mistakes: that’s normal: how else are you to learn? The best thing to do with mistakes is to learn from them. For every mistake, learn something. 
  • You are responsible for everything you do. Everything. Own your actions. 
  • Learn to apologise graciously. Despite your best intentions and best attempts, you will occasionally hurt people. A prince is humble and noble enough to acknowledge when he has made a mistake, and gracious and loving enough to apologise to those he hurt. Inability to genuinely apologise is the mark of the arrogant, and a prince should never be arrogant.
  • Niceness and goodness are not the same thing. What is goodness? It is always doing what is right, no matter the cost to yourself. What is niceness? It is politeness, friendliness, elegance, charm, smooth words, the appearance of goodness. Many of the most awful people in the world are very nice; and those who do what is right are not always perceived as being nice. Be as nice as you can, but always, always, be good. And remember to look at people’s actions, not just their words: sometimes niceness ends where actions begin. 
  • Confront yourself, prince. Sometimes the scariest things in the world are the things that look back at us in the mirror. Be brave. Be kind. Be loving. Point your heart in the direction of goodness, justice, and love.

(Reminder: preorders of Raymond's Nemesis, the sequel to Raymond, are now available at iBooks, Kobo, and Barnes & Noble. My previous blog post here has more about the book. You can view the book's page here at Smashwords, but Smashwords does not have the capacity for preorders.)

Sunday 30 September 2018

Pre-order for Raymond's Nemesis

If you enjoyed Raymond, you may wish to know that there is a sequel: Raymond's Nemesis.


–––––

Toby Wilson's enigmatic friend from school, Raymond, has a secret, and Wilson is determined to help him keep it. So far, he has managed to keep the fact that Raymond is a 'sort-of vampire' hidden even from his best mates, Callum and George. As far as they are concerned, Raymond is just 'unusual', or 'eccentric'; after all, so long as he can play basketball with them and Wilson, what do a strange accent, a curious eye-colour, and an extraordinary amount of poise, matter?
But then a new student arrives at their school and starts to show a discomforting amount of interest in Raymond. The new student has a bullying streak, and seems to suspect that Raymond is … different. If he figures out what Raymond is hiding, Raymond and Wilson will be in the biggest trouble of their young lives: blackmail, lies, and difficult questions from parents and teachers could be just the beginning. Once again, Wilson finds himself in a graveyard at midnight with questionable company, and, suddenly, keeping Raymond and his dangerous secret safe becomes far more difficult and frightening than either Wilson or Raymond had imagined it could.
‘Raymond’s Nemesis’ is the second story in the ‘Raymond’ series.


–––––

Raymond was published on 31 December 2017, as an end-of-year surprise for my readers. Raymond's Nemesis is scheduled for publication on the same date this year: 31 December 2018 – though if you live in the Northern Hemisphere, that will be the 30th for you, and websites that are based in the Northern Hemisphere will show the release date as the 30th.

If you want to receive Raymond's Nemesis the moment it is released, you can pre-order it.
If you're not familiar with pre-orders, they are quite simple: you can order the book in advance, but you will not be charged until the day the book is released.
Pre-orders are open now at Barnes & Noble, and should soon be available at Kobo and iBooks. You can also view the book's page at Smashwords, though pre-orders won't be available there (but you will be able to buy the book there when it is released). The price is US$0.99, which is about $1.55 in New Zealand dollars as I type this.

The cover is to be revealed in November.
Here is an extract from the story.

–––––

A couple of weeks later, Raymond e-mailed me to ask if we could meet at the graveyard again after school someday that week. I replied that I had agreed to meet with Callum and George that afternoon, but the following afternoon, which was Thursday, I would be available.
As always, he was at the graveyard before me. I usually chatted with George and Callum for a few minutes after school, and that pause gave Raymond time to get a head start, so that we wouldn’t be seen walking together.
We dumped our backpacks in the shade of the great oak tree, and Raymond sat cross-legged in the short grass.
“What’s up?” I asked, flopping down beside him.
“Do you recall Logan Graves, the student who joined our school at the beginning of this term?”
I pondered. “The tall guy with dark hair?”
“Indeed. He has been displaying an interest in me.”
I looked at him uneasily. Raymond had such an unusual way of putting things. “What sort of … ‘interest’?”
“It is difficult to say. On numerous occasions I have seen him observing me with definite interest, perhaps curiosity. Generally I try not to be obvious, but this Logan seems to have noticed me. He seems to have perceived that I am … different.”
I frowned. We were silent for a moment.
“I suppose … it was bound to happen eventually,” I mused heavily.
“Of course,” Raymond agreed, “and I must admit that I never had a completely satisfactory plan as to what to do when it did.”
I looked at him. “Oh.
“… I sort of hoped that you did.”
“Most of what I do can be explained,” Raymond said. “I have an unusual eye colour; that is remarkable, but not abnormal. I seldom blink –”
“You never blink,” I interjected. “Not when anyone’s looking, anyway.”
“That is true,” Raymond conceded. “I could invent a medical condition to explain that, and also to explain why I stay out of the sun and wear sunglasses when outside.”
“You’re pale, but lots of people are pale, and you would be if you stay out of the sun all the time,” I supplied. “And you have an accent because you come from Romania.”
“Just so,” agreed Raymond.
I grinned. “Your dress sense is a little harder to explain.”
Raymond looked at me. “What is wrong with my dress sense?”
“Nothing. That’s the whole point. You dress better than anyone I’ve met. Certainly better than anyone else at school.”
“Ah, I see. Thank you.”
“But then most of the time we’re wearing uniforms at school anyway. And the reason you speak like that – all politely and properly – is that English is your second language.”
Raymond looked at me appreciatively. “Precisely.”
“So if we can explain everything about you, what’s the problem?”
Raymond inhaled deeply. “When you first began to notice me, did you not say all these things to yourself in your mind?”
“Um … I suppose so.”
“And yet you still found yourself wondering whether or not I was a vampire.”
“Well … yeah. But there was the blood thing. That was what really made me wonder. You could have been just a really unusual guy, except that you couldn’t keep your eyes off other people’s blood.”
“Indeed.”
“So … all you have to do is disguise your –” I shrugged, not knowing what to call it. “Your blood obsession.”
Raymond was silent.
“It’s not that hard, is it?” I asked.
Raymond sighed. “It should not be.”
“Just stay away from anyone who bleeds,” I told him. “You managed when Bertha threw that basketball at me. My nose was bleeding, but you didn’t even look at me.”
“I was focussed on preventing Bertha from harming you further.”
“Right. So … focus on something else. Distract yourself. Just don’t let Logan see you staring.”
Raymond nodded. “You are right. It should be easy.”
I hesitated. “Then why don’t you sound convinced?” I pressed him. “Come on, you’re the guy with the amazing self-control. The guy who never blinks or raises his voice. You can make yourself look away if you have to.”
The corners of Raymond’s mouth quirked in the merest of smiles. “You flatter me.”
“Well, it’s true, isn’t it?”
“Sometimes, as you know,” Raymond said slowly, “there are moments when I am more vampiric than even I intend to be.” 

–––––

Thursday 30 August 2018

Poem: The Sunset Of The World

The Sunset Of The World 

13 September, 2002. Edited 29 and 30 August, 2018. 

Once there was a spaceship that crashed in a field, and tall, thin, white aliens with slender, caressing fingers and wisdom in their eyes got out and marvelled at the blueness of the sky, the softness of the grass and the motion of the wind; but nobody noticed except the good children, who helped the aliens repair their spaceship and waved goodbye to them as they blasted off back into space.

Once there was a shattering earthquake that split the entire planet in two like a cracked egg, sending molten rock in blazing golden sheets and glowing orange fountains spurting all over the world; but nobody noticed except the good children, who quivered with fear for their parents and begged them to stay inside where they would be safe, and who, when they refused, went with them to protect them from the flames and falling rocks.

Once music started to burst from the stars, the most beautiful music the world has ever heard, filling the earth and making the animals dance and the flowers sing in answer, flooding the heavens until even the air and the light itself became part of the music; until the children closed their eyes and whirled in ecstasy; until the waters sang in their silver voices; until the trees entwined themselves in the music and their sap became soaked in it and their leaves fluttered in time with it; until the music permeated everything and everything became part of the music; but nobody noticed.

Once the aurora borealis spread over the whole sky in vast beaming colours, shot through with rainbows, and comets in silver and gold; and flashes of lightning rent the air in glaring, headsplitting light, while thunder cracked the heavens and black snow fell like soft rain; and the winds showed their forms as giant people with terrible eyes and the trees started to speak; but nobody noticed.

And finally the hearts of the mountains cracked and they fell over, bowed in the dust; and all the animals in the world brought all the children in the world (for now all were good), nudging them with their noses and carrying them on their backs, to a place on the shore where all the sea creatures gathered together; and the Pied Piper looked at them all and smiled; and it was the sunset of the world. Then the Piper led them all through an iridescent door in the waves, which shone silver and gold and every colour in between, for the sun and the moon were shining in the sky together and it was both night and day; to join the fairies and elves and meet the gentle white aliens with slender fingers who would take them on a journey through the universe and show them many wonders; leaving behind them an empty world.
And if anybody noticed, they said nothing about it, and they all went on with their lives, but they were not really living;
And it was the sunset of the world.

Tuesday 31 July 2018

A letter to my younger self

Child, your life will become more amazing than you expect. Not more amazing than you can dream, for some of our dreams remain unfulfilled at the time of my writing this, but some of them are fulfilled – in ways that are truly wonderful and beautiful and unexpected.

You will have adventures as you always wanted. They won’t be quite like the fun adventures you wanted – riding dragons, running away with pirates, travelling to other planets – but here’s the thing: adventures are not truly adventures unless they are scary. And scary things are not often fun. Your adventures will be scary, sometimes painful, and often not particularly fun. But they will still be adventures, and you will come out of them with greater experience, greater knowledge, greater strength, and a story to tell.
And yes: you'll fight with swords. You'll do archery. You'll wear cloaks on your back and knives at your waist, and it will all be as grand as you imagined it.

You will gain friends.
You will gain wonderful, beautiful friends who are not quite like the ones you picture but who supply you with the type of friendship you always dreamed of. You are right about friendship. All of it. You are so right.

You are right about many, many things.
You are right to gain and keep imaginary friends. You will need them and want them even as you grow older.
You are right to remain childlike and to refuse to grow up.
You are right about sexuality.
You are right about vegetarianism, and kindness to animals.
Don’t be afraid of yourself, for you are right about so many things.
Don’t listen to the people who tell you things that you know, in your core, are wrong. You are right: they are wrong. Hold your tongue, for, as you know, there is no use in arguing, but know that you are right: you were right all along.

I know you think you're ugly. But you're not. And as time goes on you will become beautiful. You'll be amazed by the way that, as you find the things you want, you become beautiful. You were never really ugly, child: it's just that you have to wear a mask. But someday you'll need to wear the mask less and less, until it becomes something you only have to put on occasionally, and the rest of the time you can show your real face – your beautiful face – to the sun, and even to many of those most dreadful of creatures: human beings. And you'll look in the mirror and no longer hate what you see.
Yes, really. I swear it.
I know it sounds impossible, but child, you have no idea how much better your life is going to get.

You will discover aspects of yourself that will amaze you. You will be astounded at the beauty and brilliance you attain, inside and out. You will do things that terrify you, things that horrify you, and things that you currently believe you cannot do. I won't tell you what they are, for you won't believe me, but just know that you are going to get even more badass than you think you might – though in ways that will surprise you.
Don't be afraid of that – of surprising yourself. You'll handle it. The surprises are good ones. Yes, really.

You are afraid of so many things. You'll always be a fearful person, I think, but you'll conquer many of your current fears. Disasters lie ahead – but so do triumphs. Yes, even for you. You will discover how brave, how strong you truly are. You think you are lacking, but the truth is this: you are already complete. It's just that no one sees it yet.

And oh, the good things you'll discover. The world has so many good things in it that you have yet to find.
So do not despair, child. Hold on, and keep going. You are right to guard yourself. You are right to keep hold of your soul. Stay the course, child, for your life will get so much better. All you have to do is wait.

And listen: you are loved. Or, you will be. You will be. You will be loved with the kind of love you crave. Your soulmate is already on this planet. Yes, really! You have a soulmate! Trust me: just hold on, and many of your dreams will come true. Even the ones you think are impossible.

It gets better, dear, sad, angry, lonely child. It gets so much better. You will be amazed at how much better and more beautiful your life will become.
Just hold on.

Oh, look: you did.

And it was worth it, no?

Saturday 26 May 2018

Poem: Jesse And The Unicorn

Jesse And The Unicorn 

26 September, 2003. 

A thousand mountains distant,
A thousand trees ago,
A thousand midnight skies away
The Unicorn did go.

In a forest hamlet
Jesse's parents wait.
But Jesse saw the Unicorn,
And in its eyes – her fate.

In the wood stooped Jesse,
Among the Winter snow,
Cutting fuel to warm the meagre
Hut, while cold winds blow.

Behold, there stood the Unicorn!
Silent, white on white.
And Jesse followed the Unicorn,
And vanished from mortal sight.

The axe's chop ceased ringing,
The howling wind cried sorrow,
But when a call like this be heard
One can do naught but follow.

Beyond the farthest sunrise,
Beyond plains green and wide,
Beyond vast deserts, harsh and bare,
A lass and a Unicorn ride.

A thousand mountains distant,
A thousand stars ago,
A thousand waterfalls away
Jesse and the Unicorn go. 

Monday 16 April 2018

Fanfiction: Blindness


 Blindness

A Solfie (Solace and Rafferty) fanfic by G. Wulfing (g-wulfing-author.tumblr.com).
Solace and Rafferty belong to Thacmis on Tumblr (thacmis.tumblr.com).
See below for author’s notes. 
 

Rafferty stumbled in the soft sand, dizzy with pain and clumsy without the ability to see to balance himself. He hurtled, barely keeping his footing, toward the crisp sighing of the waves: small waves, rolling gently into shore. The sand suddenly hardened under his armoured feet, and he knew the water was near. He began to cry out. “Solace! Solace!”
He repeated the name several times, as his footsteps squelched, then sloshed, and he slumped to his knees in moving, ankle-deep water, his plate armour clunking.
“Solace!” His voice broke. It hardly ever did that. There was little in the universe that could make the voice of a knight of the sky falter.
He sought to sense Solace’s life force. There were gulls above him – he could hear them as well as sense them – and the whispering grasses behind him, beyond the sand. A wave rushed in and swished loudly against the steel plates of Rafferty’s leg armour, and a thousand grains of sand tinkled and hissed against the metal as the water retreated again.
Rafferty scrunched his hands on his thighs, knuckles pressing against the hard, smooth, curved steel. Don’t make me wait, Solace, he thought; not today, please, not now … please just come to me immediately …
Solace could be anywhere in the ocean, though he frequented this shore, especially when he knew that the knight was near; but there was no guarantee that Solace would be close by today —
“Rafferty!”
The knight had barely finished his thought when he heard his name being called from somewhere out in the sea. “Solace?” he cried.
“Rafferty!”
The call sounded closer already. And then Rafferty’s confused and weakened soul could finally sense it: Solace’s life force, ancient as the depths of the ocean, powerful and clear as towering waves, strong and full of wild motion like the sea itself, but gentle, as gentle as the touch of sea foam on bare skin. Familiar and beloved.
The knight waited. Solace would be arrowing toward him underwater, swift as a dolphin.
Rafferty heard a much larger wave gathering itself and rolling toward him, and then it crashed a few paces away, its aftermath striking his knees and waist. It was Solace’s own custom-made swell, carrying the merman into shore. And, with a small splash, suddenly the mermaid king was on the sand in front of Rafferty, exclaiming in distress, “Raff! My love, what happened?! Your eyes —”
Rafferty felt the merman’s cool, smooth-scaled hands cradle his bandaged face, so gently; and something inside him broke. He felt tears rushing to his face and his throat almost suffocated him with the lump that appeared in it.
“Taliesin did it,” he choked out. “As p-punishment.”
He heard the merman’s intake of breath. “For – me?”
Rafferty nodded, and croaked miserably, “For falling in love with you.”
Solace’s hands left Rafferty’s face, and the knight heard his breathing become heavy.
Then Solace screamed, “WHAT?!”
The gulls fell silent.
There was a hush between waves. 

“I WILL KILL HIM!” Solace roared. “BRING HIM TO ME – I WILL KILL HIM!”
“It’s no good, Solace, he’s a commander of the sky –”
“I WILL RIP THE SKY IN TWO! I WILL SHAKE THE HEAVENS UNTIL HE FALLS TO ME, AND THEN I WILL PULL HIM TO THE DEPTHS UNTIL HE DROWNS AND I WILL TEAR OUT HIS THROAT WITH MY HANDS! I WILL DYE THE OCEAN RED WITH HIS BLOOD!”
As Solace raged, Rafferty could feel the air pressure increase, and the prickle of electricity in the atmosphere. The air grew chill, as did the water that washed around his armour – he could feel it through his waterproof bodysuit. He could imagine the enormous banks of black clouds gathering, blotting out the sky, and the first rumble of thunder growled nearby. A cold gust of wind whipped through his tousled hair and found every chink in his armour. The ground seemed to tremble, as though there might be an earthquake nearby.
“Solace, it will do no good,” Rafferty murmured. He reached with one hand for the merman, his other hand planted as a fist in the shifting, waterlogged sand beside his thigh. He found Solace’s forearm, and immediately the merman moved closer, caressing Rafferty’s face, gently touching, at the temples, the soft fabric bandage that covered the knight’s eyes.
“Will they heal?” Solace asked, but Rafferty could tell that the merman already suspected the answer: why would Taliesin inflict a punishment that was only temporary for a love that would presumably last forever?
“No,” Rafferty whispered.
He could feel the tears stinging his ruined eyes, and the pain was almost unbearable. He felt them leak from under the bandage, trickling down his cheeks, and was sure they were mixed with blood.
Solace was silent in horror.
Another wave rushed in, tiny grains of sand hissing grittily against steel plates, and a few small shells clinked as the water dashed them against the metal. The wind gusted coldly again, but there was no more thunder.
“… H-He did it to punish you as well,” Rafferty croaked. “S-So you would know that I could n-never again ap-preciate your beauty.”
The searing pain of the tears was almost as bad as the pain of what Taliesin had done to his eyes in the first place; but he could not stop them. He clung helplessly to Solace’s elbow, his other hand still buried in sand, in a fist so tight that it had gone numb.
He couldn’t read Solace’s face. He couldn’t read anything. He would never see anything ever again – just darkness, accursed darkness, forever. No Solace. No sea. No sunrises. No clouds. He’d never see his own reflection again. He’d forget what he looked like. Worse – would he forget what Solace looked like? Oh, why hadn’t he looked harder at everything when he had still had his vision?! Why hadn’t he memorised every detail of Solace’s face, and his body too – everything about him? Why hadn’t he —
Solace embraced him.
Rafferty could feel the merman’s strong arms around his torso, Solace’s cool hand on the back of his neck, and the merman’s enormous cloud of long, wavy black hair, which was somehow always fluffy and flowing even when it was wet, touching his face. That hair had an unearthly, glimmering starriness throughout – as though it were spun from a glittering midnight sky, or a hundred tiny fireflies were caught in its curling strands. It was strange to feel that familiar hair but not be able to see it. Solace’s smell enveloped him: fresh, salty, wild – the smell of the sea – but also sweet, cool, and deep. Rafferty buried his nose in Solace’s damp hair, trying for a moment to pretend that the reason all he could see was darkness was because his vision was filled with that deep-black hair and he had closed his eyes to bury his face in it. He returned the embrace with both arms, feeling Solace’s cool, smooth skin under his sandy fingers – the contours of Solace’s back and slim waist, the softness of his hair …
But he would never see Solace’s breathtaking sky-blue eyes again. Nor his pale, flawless skin, nor his dark, blue-green, shimmering scales … the thin, draping chains of gold jewellery around his neck and head, framing his youthful-looking, expressive face, his strong dark brows and those thick, long, black eyelashes …
He could remember them – for now – but not see them. All he would ever have, from now on, was memories.
Rafferty choked.
“You do not need to see me to love me,” Solace said quietly. “And nothing – nothing – that Taliesin or anyone else can do can make me stop loving you.”
Rafferty sobbed.
The pain of weeping burned his eyes more and more, but he was past caring. He clung to Solace, vaguely aware that the plates of his armour would be digging into the merman’s bare skin, but Solace did not flinch and Rafferty could not bring himself to let go.
Blue eyes … Solace had forget-me-not blue eyes.
Forget-me-not eyes.
Rafferty tried to picture them, tried to picture them so clearly that he could convince himself he was seeing them, but the harder he tried the harder he sobbed and he could no longer be sure he was remembering anything correctly.
He sobbed so hard that he could not breathe.
Rafferty felt himself swooning sideways, capsizing into Solace’s arms, and for a short while his mind seemed to go dark as well as his vision, and he felt nothing.
It was a relief.
When the darkness lifted, Rafferty tried to blink away the blackness in his eyes, only to feel pain rush back into his head and to remember that he would never be able to blink away the darkness ever again.
“Rafferty? Raff?”
Solace was saying his name, and the wind was cold, so cold, and he was lying in water and sand and shallow waves that rocked his legs as Solace cradled his head and shoulders.
Rafferty tried to speak, but his mouth was dry, his eyes burned, and he wished he could go back into the darkness of his mind where he could pretend that he was only asleep and not blinded forever.
He started to shiver, and the shivering intensified until his armour started to clink with the force of it.
“Rafferty, my love, stay with me. I shall take you somewhere warm.”
Solace started dragging him through the sand, toward the sea. Rafferty barely registered the sand building up in his armour, being scooped up by the plates in one instant, then flushed out at once by the next small wave. In a moment they were in shallow water, being half-lifted by each wave, and then they were floating. Rafferty was on his back, Solace’s arms hugging his chest, Solace’s fishlike tail undulating rapidly beneath him, towing him out to sea.
Rafferty relaxed, trying only to keep his head above water. Once he realised that Solace’s shoulder would do that for him, he stopped trying to do even that, and just let Solace carry him, his fingers trailing loosely through water. After a while, the knight’s shivering became sporadic, not because he was warming but because his body became too numb and exhausted to shiver anymore.
For what seemed like a long time – or maybe it wasn’t; he really couldn’t tell – Rafferty felt nothing but darkness and an occasional slosh of water against his cheek. His mouth tasted of salt. Something strong was wrapped around his chest, and he was floating, bobbing. Something in his head hurt, or maybe it was his whole body. And there was darkness again, blessed darkness.
And then he had a splitting headache.
It was warm; he was on firm ground, with something vaguely cushioning underneath him. He could see nothing but darkness, but his head felt like his skull had been split with a sword and his eyes burned as though they had been —
Rafferty whimpered, then screamed.
An undignified, unholy sound to come from a knight of the sky. He screamed and screamed, uncontrollably, scarcely pausing to inhale, until somehow the sound of Solace calling his name and the sensation of hands gripping his arms filtered through the screaming, and it petered out into gasps.
“Rafferty, Rafferty, my love, I’m here. I’m here. Breathe. Breathe, my love.”
“S-Solace. What – where are you —”
“Right here. I’m right here, my love.” Solace placed Rafferty’s hands on his own face, letting him feel the mermaid king’s smooth skin and long eyelashes. He kissed Rafferty’s palm.
Rafferty calmed somewhat. “Why can’t I – why can’t I see you?”
His mind knew that something terrible had happened, but somehow he could not understand it.
Solace’s breath hitched. “B-Because – because you — Because Taliesin did a terrible thing, my love.”
“… Taliesin …?” Rafferty breathed.
And then he remembered.
For a moment he felt utterly numb. Even the splitting in his head stopped, for that moment.
“Taliesin blinded me, to punish us,” he said hollowly.
He felt Solace nod against his hands. Wetness appeared on Rafferty’s fingertips: Solace’s tears.
Slowly, Rafferty pulled his hands from Solace’s grasp and placed them on his own face. The bandage was still there.
He lay still for a moment.
“Did you look?” he asked Solace. “At … at the wound?”
“No,” the merman whispered brokenly.
Rafferty lay there, head pounding, eyes burning, in silence. He felt Solace’s fingertips brush the back of his hand, silently requesting mutual comfort, and he took the merman’s hand and gripped it.
He realised that his armour was gone: he lay in his bodysuit on some sort of vegetation. Life force was all around him – he could feel it like a gentle hum in the back of his mind – but he was far too exhausted to examine its sources.
Eventually, the knight asked, “Where are we?”
“On an island. Small. Warm. There are no people here of any kind; just birds, insects and plants. You can rest here, for as long as you want to.”
Rafferty could hear the tears in Solace’s voice.
“I will bring you food, and –” the merman’s voice broke, and Rafferty could tell by the way the hand clutched his, shaking, that Solace had dissolved into weeping.
He pulled the merman closer, feeling that cloud of hair fall over him, and they lay chest to chest, holding each other, as the mermaid king sobbed for his love’s lost sight.


~~~

Two days passed. 
Solace had been out of water so much that the scales of his arms and hands had started to temporarily fade into skin like the rest of his torso, and his hair had lost most of its fluffiness and starry shimmer. He had refused to leave Rafferty’s side except to find food, lugging himself awkwardly over land or swimming around the island’s coast until he found overhanging trees that bore fruit. He had positioned Rafferty near a freshwater stream that flowed into the ocean, and used a piece of Rafferty’s armour as a dish to bring him water to drink. On the third day, he guided Rafferty to the stream and helped him to bathe.
Solace’s heart grieved every time he noticed how differently Rafferty moved now. He was tentative and uncertain, where before he had been graceful and sure. The knight was still strong, inside and out, and Solace knew that he would survive; but he was damaged, so damaged.
Once Rafferty had bathed, Solace, at Rafferty’s behest, forced himself to unwrap the bandage from the knight’s eyes. Rafferty sat on a mossy rock at the edge of the stream, while Solace, lying in shallow water, carefully unwound the long strip of white fabric from around Rafferty’s head.
The eyelids were fused closed; the thick, soft, fluffy white lashes stained and crusted with blood, sticking in clumps to each other and to Rafferty’s brown skin. Red trails – tear trails – led out of them and started down Rafferty’s cheeks, down to the point where the ocean had washed them away. The swelling that had been visible even with the bandage in place had diminished to a slight puffiness, but the delicate skin all around Rafferty’s eyes, even to his cheekbones and the bridge of his nose, was livid with horrifying bruising.
The knight had been using his magic to heal himself, and Solace winced inwardly at the thought that this was the healed version: how much worse might his wounds have been if Rafferty had had no magic?
“… How does it look?” Rafferty asked, with some apprehension in his voice.
Solace clasped the knight’s face in his hands, and kissed his forehead, above his white brows. “You are as handsome as ever, my love.”
Solace washed the bandage in the stream, then used it, with painstaking care, to clean the dried blood from Rafferty’s face. The knight sat, calm and accepting, while at every other moment Solace had to wipe away his own tears.
That this horrific act had been done to his shy, sweet knight – the gentlest person Solace had ever known, whose magic was all about life-force and growing and healing – made Solace’s heart burn with anger. 
And that the love of Solace for Rafferty, and of Rafferty for Solace, was the reason for it, made his heart break.
Eventually, after a long time of Solace working in silence, Rafferty said, “Solace.”
“Yes?” The merman paused, holding the moist cloth in mid-air before the knight’s face.
“I still know that you are beautiful. Even though I can’t see it, I still know it.”
Solace gulped, fresh tears rushing to his eyes.
Like all merpeople, Solace cared a great deal about his appearance, and was proud of his beauty. Taliesin had chosen blindness as Rafferty’s punishment because he knew that it would hurt Solace to no longer be admired by his beloved, and to no longer be able to bring enjoyment to Rafferty through his appearance.
It was a foul, cruel manoeuvre, and Solace would wait for his chance to take revenge on Taliesin, no matter whether Rafferty said it was useless or not. Like the sea, Solace’s rage could be sudden and devastating; and like the sea, he could also wait forever, and slowly, slowly wear away anything that he wanted gone. Taliesin would keep. And someday, somehow, Solace would make him wish that he had never even breathed near Rafferty.
“Solace?” the knight prompted, since the merman had made no response.
Solace had no words. Instead, he put down the cloth, leaned forward, and, taking Rafferty’s warm brown hand in one of his and using the fingertips of the other to lightly support the knight’s chin, kissed Rafferty gently on the mouth.


~~~ End. ~~~


Author’s notes
This fanfiction story is based on a particular image Thacmis drew – ‘Blind’, the second image in this set: <http://thacmis.tumblr.com/post/167067793775/jayessart-inktobers-19-24-using>
I don’t often write fanfiction, so this surprised me somewhat. Thacmis’s art is utterly beautiful – deeply sweet and romantic. After sighing for hours over Thacmis’s art of their enchanting characters Rafferty and Solace, I was suddenly and madly inspired by ‘Blind’, and this story tumbled out of my fingertips. The story doesn’t fully gel with the canon that Thacmis has explicitly stated for Rafferty and Solace, but the image ‘Blind’ seems itself to go against some things in Thacmis’s canon; so ‘Blindness’ is based specifically on ‘Blind’ and what it suggests.
There is not a lot of detail in the lore established for these two, as far as I can find, so I’ve had to make some guesses.
Rafferty is sometimes drawn with his wings and sometimes drawn without, so for simplicity’s sake I’ve not mentioned them. I have called the skin-tight garment that Rafferty wears under his armour a ‘bodysuit’ and guessed that it must be waterproof, for knights of the sky must surely fly through rain and clouds and wouldn’t want to get soaked to the skin every time they do. I couldn’t find a name for the ‘superior angel’ who blinded Rafferty, so I chose a name that, like ‘Solace’ and ‘Rafferty’, exists in our world but is somewhat rare. I don’t know if Solace calls Rafferty ‘Raff’ or not, but I took a chance. Solace’s power seems to be to cause earthquakes and tsunamis rather than thunderstorms, but I couldn’t think of an effective way to show either of those that wouldn’t disrupt the emotional atmosphere, so while I included the fact that he can influence nature with his mood I’ve taken some poetic licence as to how.
I have posted this on my Tumblr blog as well, and Thacmis has read it and has been very complimentary. I am thrilled to have pleased the person who inspired me so.

Tuesday 13 February 2018

Poem: How To Be Alone On Valentine's Day

In the spirit of Tanya Davis’ and Andrea Dorfman’s short film ‘How To Be Alone’, I have composed a poem regarding Valentine’s Day – that traditional celebration of romantic love. Romantic love is only one type of love, and it is not necessarily even the most fulfilling or valuable type of love. Far more important is to love and accept yourself: by all means improve yourself, but understand that you cannot truly love anyone or anything until you love yourself.

How To Be Alone On Valentine’s Day
On Valentine’s Day,
Date yourself.
Use your favourite bodywash in the shower;
Or take a three-hour bath with candles and bath bombs.
Wear your favourite scents.
Get dressed in your favourite clothes – pyjamas, jeans, or tuxedo.
Wear your favourite jewellery.
Smile at yourself in the mirror: you look amazing.

Take yourself out walking, to the movies, to a park,
And imagine how many people wish that they were you –
Envying your self-confidence, your self-sufficiency,
Your strength in not needing a partner to validate you.

You are enough in yourself.
Your looks – your body – your intellect – your personality –
Are enough for you.

Go your favourite restaurant. Buy yourself dinner. Forget the cost; enjoy. Breathe deeply. Today is a gift to yourself.

Or curl up at home with books and D.V.D.s.
Eat straight from the tin, with a cocktail fork.
Make yourself your favourite dessert.
Light those special fancy candles. Enjoy them.
Put flowers on the table, for yourself.


This day does not have to be one of loneliness.
It does not have to be a day of regrets, or insecurity.
It can be a day of devotion and strength and sureness.
On this sugar-coated, pink heart-shaped day,
Remember how to love.
Not how to give gifts or how to buy flowers,
But how to show a person that they are valuable … precious … cherished … adored.

Humility is not self-hatred.
Confidence is not conceit.
Self-love is not selfish.
Love yourself, listen to yourself, be honest with yourself, accept yourself, honour yourself,
As you would love and listen to and be honest with and accept and honour a person who was most precious to you;
And you will find yourself loving and listening to and being honest with and accepting and honouring
Others
And the planet
And all good things.

There are so many ways to love.
Start with yourself.

Tuesday 30 January 2018

In which I talk about books that are nocturnal and require sugar

Some of my books refuse to be written in daylight. They are nocturnal.
It's quite bizarre. Raymond, for example, was written very quickly: 21 pages in 3 days, and most of it written between 15:00 and 03:00 (3 p.m. and 3 a.m.). It was written in Winter, and where I live, the Winter dusk starts to fall at about 16:00–17:00. So the vast majority of the story was written during the hours of darkness. If I tried to make progress during daylight, the ideas would not flow. As soon as the sun went down, the muse awoke, and the story unfolded itself in my head. I did not try to fight this phenomenon: it very quickly became apparent that this story had its own way of doing things, and I was not about to argue so long as the ideas kept flowing.
Seven years later, when I wanted to edit Raymond for publication, it refused to be edited in daylight. I spent hours staring at the manuscript on my computer monitor, but could not make any progress on editing it, no matter how I tried. And then, inexplicably, as soon as the sun went down, I could.
After the editing was complete, I needed to format the text for publication, and this the story allowed me to do during daylight. Formatting requires little creativity, so perhaps that is why I could format in daylight; although, in theory, editing doesn't require a lot of creativity either. Editing does, however, require lots of decisions to be made – lots and lots of tiny decisions – and apparently I couldn't make them while the sun was up.
The sequel, Raymond's Nemesis (due to be published in December 2018) was the same: in daylight, nothing; at night, the inspiration flowed. It was harder to write than Raymond was, and took much longer, so there were more sleepless nights and more sugar was consumed.
Incidentally, some stories require certain sorts of sugary treats – in addition to my usual hot chocolate, masala chai lattes, or mochaccinos – to be consumed whilst writing them. Raymond's Nemesis, which was also written in Winter, was – if I recall correctly – the strawberry Oreo book: I had access to a large box of those biscuits, packaged in threes, and every hour or two would leave my computer to make another hot drink in the benighted kitchen and retrieve another packet of Oreo biscuits, to be eaten at my desk while the heater blasted warm air into the room. Another nocturnal book, The Vine, required a large box of Turkish Delight, which I already had in my possession (I love Turkish Delight), and which I started eating so that I could describe the taste of it really well for the story, then kept eating because I was writing at night and wanted the sugar to keep my physical brain awake and functional while the muse fed ideas into it.
To anyone who does not believe in muses, or who is not possessed of an artistic temperament, or whose muse is less capricious, this must seem ridiculous. Surely, one can set a time for writing, then sit down and write. How hard can it be to put words on paper, or on a screen?
Certainly, that is what one tries to do. But there is a thing called 'inspiration'; one cannot wait around for it, else nothing will get finished: one must write regardless of how uninspired one feels; but at the same time, inspiration is the magic without which stories simply cannot exist. One cannot force it; one cannot wait for it; and when it does arrive, one must allow it to seize and drive one's imagination for as long as it will do so, because the result of such possession is always wonderful and beautiful and far better than anything one can produce without it.
So if inspiration descends upon me late at night when I am tired and want to sleep, I have a choice: tell it to come back another day, and risk it not doing so, or stay up and write for as long as I can, until either I or the inspiration is exhausted. This is why I call the particular type of inspiration that comes to me my 'muse': she seems almost like a person, with whims and moods, sulks and passions. Sometimes she ignores me; sometimes she pesters. Sometimes I can almost see her in my mind's eye. And the magic – the inspiration – that she causes to flow through me is worth losing sleep over.
These nocturnal, sugar-laden writing processes are neither healthy nor sustainable, occasionally frustrating, and certainly not my preference; but when that is how the story insists on being written – or how the muse insists I write the story – that is what I must do, and a series of nights of sleep-deprivation and sugar highs is worth it in the end when I have a complete, or near-complete, story before me.